Via this blog I see no reason to change my opinion that the last decent movie Dianne Keaton did was Annie Hall.
Like the architectural-wonder cakes Diane Keaton's character constructs in "Because I Said So," the film is a stylishly gooey piece of work that demands to be oohed and aahed over.
With its magazine-spread interiors and pretty dresses, this romantic comedy about a meddling mom and her unlucky-in-love youngest daughter might get what it wants. Using a recipe overloaded with adorable, too reliant on slapstick and spiced up with "modern" ideas about sex, the movie is as predictable as a crowd-pleaser can get. But crowds are likely to be pleased nonetheless, especially women who connect with its pat observations about the mother-daughter bond.
It's dispiriting to see a great actress like Keaton buying into this nonsense with such gusto. Still, as Daphne, the control-freak cake entrepreneur nearing her 60th birthday, she's the closest thing to a three-dimensional person in the film. Mandy Moore is an appealing performer, but ultimately she can't turn Milly, the object of Daphne's pathological concern, into more than a collection of comely pouts and tantrums.
Nah, maybe she should start bonking Woody Allen again, see if she can get her muse back.
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